Oluwafunmilayo Akinpelu (English & Creative Writing)
Oluwafunmilayo Akinpelu (Funmi Omo Moji; She/her) holds a PhD in English Literature from the University of Alabama. Her research and teaching interests intersect global Black Anglophone literatures (particularly African and African American literary histories), cultural and new media studies, East Asian popular culture, African diaspora studies, postcolonial studies, gender, and sexuality studies.
Her book project titled "Naija Lit to the World: 21st Century Subcultures and the Reconfiguration of Nigerian Literary History" is a work of contemporary literary history that interrogates 21st-century Nigerian literary developments - Afro-Anime, generative AI art forms and social media literature. She is particularly interested in the cultural infrastructure that shape their productions for the purpose of pushing readers to rethink how Nigerian literature is represented, taught, and valued globally. Her work as a researcher is ultimately aimed at proposing new ways of reimagining the historiographies of postcolonial and global Black Anglophone literary landscapes.
A committed, student-centered teacher, Akinpelu teaches courses in ways that integrate literary studies, visual culture, and media analysis, fostering critical thinking and cultural literacy. She imbibes a humanist ethos to teaching in which students reckon with the relatable, everyday dimensions of being human through her courses. She is also very very big on experiential and play-based learning.
Funmi is just as well an active independent curator of arts. Her curatorial practice foregrounds African and diasporic creative labor in digital, archival, and exhibitionary spaces. Her past exhibition projects includes the Digital Girlhood Museum project (2025-26), Still Life: I am Still Life photo exhibit (2026) as well as Scheherazade’s Choir: The Radical Curation of Creative Processes (2024), Arts of War; Hearts of War (2023), and New Myths for a Dying World (2022). She also co-curated the Tuscaloosa Fan Art Exhibition at the Tuscaloosa Public Library. Her interdisciplinary work engages communities outside academia through public humanities, and she holds a certificate in Museum Studies in recognition of her curatorial practice and engagement with performed scholarship and art.
Across her research, teaching, service, and curatorial practices, Funmi's work is driven by a commitment to accessibility, and capturing present and future African and diasporic literary imaginaries with the hope of contributing to the range of epistemic resources needed to combat epistemic injustices in Africa and its elsewheres.